Blind Spot

written by Bret Fetzer & Juliet Waller Pruzan
directed by Rachel Katz Carey
with songs by Rick Miller
Jan. 16 – Feb. 14, 2009

When 8 year old Kirsty Vanderkamp finds a hidden world in the nooks and crannies of her house — dust bunny farmers under the bed, a burlesque show in the butter compartment, a tabloid published in the china cabinet — she also finds herself caught up the wake of Aura Rotter, an ambitious social climber working her way up the rungs of society, and the lovelorn Iota Potts, a farmboy who risks everything that ever mattered to him to win Aura’s heart. Kirsty travels from the depths of the drains to the heights of the lighting fixture as she tries to make sense of this miniature world — and her own.

REVIEWS

“Blind Spot wends its way into your imagination… I found Blind Spot something of a revelation: I saw new life and new civilizations, and boldly went where no man had gone before. Way cool.” — Seattle Weekly

“The play reinvents the house in a childlike way as a rich, surprising place and satirizes all kind of adults, from the poor devout to the filthy rich.” — The Stranger


The cast of Blind Spot

CAST
Kirsty Vanderkamp Jennifer Pratt
Astor Potts, Sheriff Whilk, Escrow Deshabille, Dr. Churlish, Gamut Tawdry John Bianchi
Sella Stringley Potts, Deputy Gall, Peril, Jolly Deshabille, Summit Tawdry Sara Balcaitis
Iota Potts Joe Feeney
Onus, Vigor Potts, Tubly, Announcer, Luster Wedge, Waifish/Snit Seanjohn Walsh
Aura Rotter Alissa Mortenson
Bib Clad, Deputy Hisk, Burn, Escrow Deshabille III, Yodel, Spat Mayhap Daniel Christensen
Protestor, Volly Smirk, Dulcet Expiration, Fernel Spriggs, Pasty Sann Hall
Glee Patina, Booboo Expiration, Uvula Bestwick, Illicit Deshabille Ellie McKay
CREW
Production Manager Kristina Volkman
Stage Manager Meg Tully
Assistant Stage Manager David Roby
Costume Design Juliet Waller Pruzan
Pamala Mijatov
Lighting Design Matt Shannon
Properties Design Ashley Born
Set Design Bret Fetzer
Sound Design Brian Christian
Song Recording Michael Hayes
Build Team Ron Darling
Max Reichlin
Costume Team Jen Moon
K.D. Schill
Properties Team Sean Kauffman
Allison Lizott
Gabby
Meryl Roth
Poster Design Susannah Anderson
Bret Fetzer
Amber Zipperer
Special Painting Susannah Anderson
BUILD CREW

Chris Bell, Daniel Christensen, Chris Comte, Meghan Darling, John DeShazo, Ciara Griffin, Allie Hankins, Sandy Kopriva, Todd Kopriva, Jem Lewis, Gary Menendez, David Roby, Matt Shannon, Suja Hart, David Otten, and Kristina Volkman

SPECIAL THANKS

14/48, Wendy and Marc Barrington, Ruth Baugh, David Baum, Lyssa Browne, Nicholas Carey, Stanley and Arlene Cohen, Chris Comte, John DeShazo, Eglantine, Ilene Fins, Anne Fitzgerald, Ted Ford, Susan Freccia, the Katz Foundation, Nebunele Theatre, Alan Pruzan, Brandon Simmons, Crispin Spaeth, Roy Stanton, Alia Swersky, Theater Schmeater, theater simple (Llysa Holland and Andrew Litzky), Sulo Turner

Eating Round The Bruise

written by Barret O’Brien | directed by Ciara Griffin
featuring Chris Bell and Shanna Ridenour
Oct. 24 – Nov. 14, 2008 | Fri-Sat 11pm

In a series of skillful monologues that blend comedy and pathos, two actors portray a spectrum of frustration and yearning.  The vivid characters range from a liberal civics teacher trying to lift his students out of apathy to a woman struggling to deliver an effective video-dating pitch to two strangers in an elevator conducting an unexpressed romance.

Shanna Ridenour and Chris Bell

S2

written by Edward Mast | directed by Robert G. Leigh
May 9 – June 7, 2008 | Fri-Sat at 8 pm

Juniper Berolzheimer & Alex Garnett

Sardonic, action-packed satire S2 follows sexy teen hustler Slate, who wants to sell a suitcase full of mysterious white powder and finds himself plunged into a head-spinning world of prostitution, murder, mind-control, criminal and corporate syndicates, government conspiracy, guerilla warfare, space-walks, and international subterfuge.

Fusing stylized language in the vein of A Clockwork Orange with the crazed retro-futurism of movies like Barbarella and Danger: Diabolik!, blurring the lines between spy thrillers and Noh drama, S2 eats up consumer culture, sneers at conventional morality, and gives a deep wet kiss with tongue to romantic love.

CAST
Terry Chris Bell
Diana Juniper Berolzheimer
Lewis Isaiah Crowson
Slate Alex Garnett
Pita Ciara Griffin
Rosalya / Teacher Jaime Roberts
John Spencer Thorson
Nicky Julie Westlin-Naigus
CREW
Stage Manager Suja Hart
Lighting Design Kate Jordan
Costume Design Marta Olson
Props Design Emily Sershon
Projection Design Alex Harris
Mask and Puppet Design Rachel Jackson
Sound Design Scotto Moore
Movement Coach Jaime Roberts

Keep The Light On

created by Max Reichlin | directed by Ellie McKay
written by Scot Augustson (1001), Elizabeth Heffron (Foxy Populi), Bret Fetzer & Juliet Waller Pruzan (ElectriCity)
Feb 8-March 8, 2008

To keep spirits high after a world-changing catastrophe, a small group of hardy survivors have put together a theatre troupe to entertain their community. This evening of three new plays is presented using only the electricity created by two human-powered generators operated by the actors.

Each of the three scripts in Keep the Light On takes a different approach toward entertainment in a disastrously changed world, offering a variety of ways “to remember, and to forget”:

  • 1001 by Scot Augustson celebrates the act of storytelling as a young delivery boy falls into the path of danger and has to talk his way out of it. Tales fold in on each other like origami, featuring sudden kisses, pearl-handled revolvers, dust on the ceiling of a Thai hotel, and a Mexican widow with a Castilian lisp.
  • Foxy Populi by Elizabeth Heffron is a wild musical that looks back to the extravagent days before the apocalypse when we all had iPods, SUVs, and stock options.
  • ElectriCity by Bret Fetzer and Juliet Waller Pruzan takes us on a journey with a mother and her daughter as they visit the last amusement park on earth.
ORIGINS

Keep the Light On began as an experiment in human-powered lighting. The show’s creator, Max Reichlin, wanted to discover what could be done on stage when all electricity is provided by actors pedaling custom-made generators.

“It turns out that it’s tricky – people don’t make much power,” Max said. “So the show would look different from a traditional play in terms of the lighting.”

This line of thinking led Max to a conclusion about the content of the show:

“I thought ‘When would people actually use people to power a theatre?’ I’ve always enjoyed apocalyptic literature and I realized that in a post-apocalyptic world, with no electricity, somebody just might perform theatre this way. So that’s why the evening is composed of three plays presented by an imaginary, post-apocalyptic, theatre company.”

OFF THE GRID

Keep the Light On will provide a total-immersion experience in the world of the future, according to director Ellie McKay:

“Our dream is to take Annex Theatre ‘off the grid’ for each performance,” she said. “This means that the moment the audience enters our space, there is no outside electricity entering the building. To light the hall, we will hook up a car battery to some lights. Actors will be riding the generators on the stage to light the audience’s seats. Bathrooms will be lit by the users providing light with hand-crank flashlights. Instead of programs we will have a wall with hand-written information on recycled paper for people to read.”

SPECIAL FEATURES

  • Watch a 5-minute television feature about the Max and the show from KING-5 TV’s Evening Magazine by reporter Jim Dever, broadcast February 8. Click here to watch.
  • Listen to a February 6 interview with Max on Seattle’s NPR station KUOW. Click here to listen to Max’s segment in Real Player format. Or visit KUOW’s web site for an MP3 of the entire broadcast.
  • Read the January Spotlight at GreenIsSexy.org for an extensive interview with Max and Ellie!
  • Check out the YouTube video of Max demonstrating a generator in action!

REVIEWS

Misha Berson, The Seattle Times:

“If you gotta have a gimmick, the one Annex Theatre employs in Keep the Light On is an eco-friendly dandy. … What a novelty, in an age of digital and automatic everything, to see the cheerful, muscle-toned cast members take turns whirring away on stationary bikes.”

Foxy Populi “is a hilarious, sharp-fanged satire on the downfall of Western civilization, through the meltdown of a crazed blond pop star…, a swift, smash-mouthed portrait of celeb self-destruction. … Even people who wouldn’t be caught dead reading People magazine at the supermarket should know enough about Britney Spears to find this whipsaw version of her saga smart, funny and horrifying.”

1001 is “a skein of surreal scenes spun by a Scheherazade-like delivery boy who tangles with a one-eyed pharmacist, a homicidal client and a lisping Mexican widow.”

ElectriCity is “sweet and twisted, a puppet/human chronicle of a curious child and her mother visiting the world’s last remaining amusement park.”

“Bravo to Annex for continuing its irreverent explorations – and for ‘going green’ in a whole new way.”

Miryam Gordon, Seattle Gay News:

Foxy Populi is “fast and furious and sad and strange. … Megan Ahiers channels Britney [Spears]…as if Britney had suddenly shown up to be in this play.”

ElectriCity “had the most intriguing contexts and the best acting from Pamala Mijatov as a little girl who visits this strange amusement park. She has a particularly haunting little girl voice, as she observes too much for her own good.”

Keep the Light On is “a worthy effort, an interesting evening and a challenge to think about.”

Joe Adcock, Seattle Post-Intelligencer:

Keep the Light On “is an exercise in anti-conventional comedy…. The show is made up of three darkly comic one-acts…overwhelmed with shadows.” Keep the Light On “is a uniquely theatrical take on the familiar theme of a dystopian future…. Six plucky performers struggle to put on a show. Their hands, faces and clothes are smudged with dirt, but their creative spirits are unblemished.”

Neil Corcoran, Seattle Weekly:

Keep the Light On is “a well-done and novel sort of play-within-a-play which channels three curious vignettes of imagination and moral wonder.”


Foxy (Megan Ahiers) and her asset manager Jett Alamo (Alex Garnett) feel each other, while Sam Wilson pedals for power.

CAST
Megan Ahiers
Deniece Bleha
Alex Garnett
Ciara Griffin
Pamala Mijatov
Beverly Ann Thompson
Julie Westlin-Naigus
Sam Wilson
CREW
Stage Manager Kristina Volkman
Set Design Max Reichlin
Light Design Max Reichlin
Costume Design Emily Carlsen
Props Design Alex Harris
Sound Design Jason Miller
Dramaturg Brendan Healy

SPECIAL THANKS

Annex Theatre’s 21st Season is generously supported by: 4Culture, Flintridge Foundation, Seattle Foundation, the Mayor’s Office of Arts and Cultural Affairs, Microsoft, and The Boeing Company.

Thanks to GreenIsSexy.org for featuring KTLO as their Spotlight of the Month for January 2008!

Special thanks to Wright Brothers Cycle Works in Seattle for their support and donations to this project.

Thanks to Cranked Magazine for blogging about KTLO.

I Feel Fine

Led by Mike Pham and Rachel Hynes
October 12 – November 10, 2007 | 8pm


I Feel Fine is a “neo-Brechtian…song-and-dance orgy…vibrant and even heartwarming in its messy, festive aliveness”! – Misha Berson, Seattle Times

I Feel Fine is a new collaborative performance collage using found objects, dance, music, and food to fiddle like Nero with the dynamic tension created when apocalyptic social collapse meets fin de siècle decadence. Fabulous fashion parades! Delicious party food! Bang-up karaoke numbers! It’s all there!

I Feel Fine catapults the audience into a whimsical world of electrical wonder and human disaster set in a universe on the edge of total collapse. Mixing the quaint and the adorable with fear and desperation, this original new work explores the quagmire between reasonable science and Mr. Id, as they meet on death row in this stylish, dreamy, and dynamic performance collaboration. Be the cat’s pajamas, have a little knosh, and see a few electrocutions in the process.

Light up your life. Reduce regret. Experience the magic of I Feel Fine!

ABOUT THE CREATORS

Local performers Rachel Hynes and Mike Pham have been working together for several years, creating, developing, and producing under the performance art collective moniker Helsinki Syndrome. An outgrowth of their previous performance work with High Kindergarten Performance Group, Rachel and Mike produce non-linear, ensemble driven theater pieces that incorporate text, movement, music and imagery into bold, rigorous, imaginative performance works.

Previous works include True North (Open Circle Theater), Off the Double (Henry Art Gallery), Sideshow (On the Boards’ 12 Minutes Max), Main Event (On the Boards’ Northwest New Works Festival), and This Is Not A Test (Instant Coffee + Henry Art Gallery at Bumbershoot 2007).

CAST & CREW

I Feel Fine features the talents of Ciara Griffin, Brynn Hambly, Rachel Hynes, Andy Loviska, K. Brian Neel, Mike Pham, Jennifer Pratt, Jaime Roberts, Mara Siciliano, and Justin Tracy, with food creations by Pamala Mijatov. Scenic Design by Bret Fetzer, Lighting Design by Chrystian Shepperd, and Sound Design by Michael Hayes White. Kristina Volkman is the Stage Manager.

SPECIAL THANKS

This production is presented as part of Annex Theatre’s ongoing “Oyster Series” Program. Annex Theatre’s 21st Season is generously supported by: 4Culture, Flintridge Foundation, Seattle Foundation, Microsoft Corporation, and the Mayor’s Office of Arts and Cultural Affairs.

The cast of I Feel Fine