Posts tagged Meaghan Darling

The Underneath

Written by Kelleen Conway Blanchard
Directed by Pamala Mijatov

Thurs-Sat at 8pm | Oct. 18 – Nov. 16
Preview Thurs, Oct. 17 | Industry Night Mon, Nov. 4
$20 general, $12 TPS/Seniors/Military, $5 Students.
All Thursdays Pay-What-You-Can.

Something monstrous is bubbling up at the new waterpark. Something icky is making Tina, misunderstood girl genius, uneasy—her little sister Winnie has a piece of tentacle in a jar that hisses, her mom Denise is taking too many pills, and the local Sheriff can’t bake enough crumb cakes to make himself feel better about the body parts washing up on the shore. And just what does the fry cook at Salty’s Sea Palace have in his pants? Welcome to the world of The Underneath, the latest play from the writer of Kittens in a Cage and Hearts Are Monsters. Featuring Daniel Christensen, Meaghan Halverson, Tracy Leigh, John McKenna, Pilar O’Connell, Mandy Price, and James Weidman.

“A show about the evil ocean … begins with humping and gore, which is a good precursor to the rest… Playwright Kelleen Conway Blanchard is drawn to pulp material, injecting it with funny grotesquery and ear-catching details… These moments, where actors have the freedom to just let loose with strings of Blanchard’s perfectly deranged rambling, make the show worth checking out.” —The Stranger

“Through the ingenuity of set designers Bret Fetzer and Susannah Anderson, there’s also clever and almost instantaneous transformation of the small stage into five separate sets… Meaghan Mary Halverson provides a really good portrayal of youth and innocence as sweet Winnie, the nice little girl who is abducted by the slithering monsters. Pilar O’Connell, as her brilliant but emotionally wounded and therefore nasty sister, is equally powerful. She’s cruel, angry and rebellious, yet you can’t help rooting for her. The dread, menace and humor underpinning ‘The Underneath’ work really well.” – Seattle Times

CREW
Songs Violet Séverine Blanchard
Stage Manager Kaeline Kine
Production Manager Katie McKellar
Set Designers Bret Fetzer & Susannah Anderson
Lighting Designer Gwyn Skone
Sound Designer Kyle Thompson
Costume Designer Meaghan Darling
Prop Designer Emily Sershon
Make-up Designer Jana Hutchison

Team Of Heroes: No More Heroes

Written by Alexander Harris
Directed by Jaime Roberts

Thu-Sat at 8 pm, April 26-May 25 (Thu PWYC)
$20 general / $12 TPS, senior, military / $5 student
PWYC Preview Dress Rehearsal: Thursday, April 25
PWYC Industry Night: Monday, May 13

Contains strong language.

Following the collapse of the world’s most famous professional superhero team, the remaining Heroes come together to uncover the mysterious forces behind their former employers. Team of Heroes: No More Heroes is the final installment in Annex Theatre’s satirical trilogy exploring the dark underbelly of Doing Good. It features superhero spectacle created through lean theatrics, lurid desires, out-of-control egos…and skintight spandex.

The same creative team that brought you Annex Theatre’s surprise hit Alecto: Issue #1 and its hit sequel Team Of Heroes: Behind Closed Doors returns with the conclusion to the saga.

“Big, stupid fun done smartly and with tremendous intimacy… Anyone who loves theatre should see this show. Anyone who makes theatre should go learn something from it.” –The Sunbreak of Team Of Heroes: Behind Closed Doors

CAST
Libby Barnard Alecto
Nik Doner Shockwave
Curtis Eastwood Piggy Pig
Sam Hagen H8/The Accountant
Rachel Jackson Chaos Theory
Alyssa Keene Melody Knox
Tracy Leigh Madame Mayhem
Jason Sharp The Cap’n
CREW
Playwright Alexander Harris
Director Jaime Roberts
Production Manager Kristina Volkman
Assistant Director/Fly Master Mike Gilson
Stage Manager Lisa Stahler
Composer/Sound Designer Michael Hayes
Set Designer/Special Effects Emily Sershon
Lighting Designer Tess Malone
Costume Designer Candace Frank
Graphic Designer/Geek Consultant Cole Hornaday
Assistant Stage Manager Jessamyn Bateman-Lino
Videographer Ben Laurance
Special Effects/Photography/TD Ian Johnston
Projection Artist Dominick DiGregorio
Lead Seamstress Meaghan Darling
Assistant Props Designer Jodi Sauerbier
Fight Choreographer Ryan Higgins
Movement Consultant Kerry Christianson

A Mouse Who Knows Me

Book & lyrics by Scotto Moore
Music by Robertson Witmer
Directed by Kristina Sutherland

Thu-Sat at 8 pm, Oct 19-Nov 17 (Thu PWYC)
$15 general / $10 TPS, senior, military / $5 student
PWYC Industry Night: Monday, Nov 5

A Mouse Who Knows Me is a world premiere science fiction musical comedy with book & lyrics by Scotto Moore (Duel of the Linguist Mages), music by Robertson Witmer (of the band “Awesome”), & directed by Kristina Sutherland (artistic director of Macha Monkey Productions). In a genetics lab that is inserting human genes into mice to see what might happen, Dr. Audrey Whitman starts to believe that one of her mice has developed human empathy & intelligence and develops a strange relationship with the mouse she christens Romeo, to the chagrin of her colleagues in the lab. Her mentor secretly plots to use her intelligent mouse to breed a new form of war machine – but neither realize that the mice in the lab have their own plans for bloody revolution. It’s an inter-species West Side Story!

WHO’S INVOLVED

Scotto Mooreʼs previous plays at Annex include the Gregory-Award-nominated pair Duel of the Linguist Mages and When I Come to My Senses, Iʼm Alive!; interlace [falling star]; and Principia Discordia LIVE! (as well as having acted in such productions as The Front Page and Market Research Theatre). Mr. Moore is also the creator of the web series Cherub: The Vampire with Bunny Slippers and the forthcoming The Coffee Table, as well as a contributing writer to What the Funny (directed by Lynn Shelton, created by Wayne Rawley).

Robertson Witmer‘s recent work as a composer and sound designer includes I Am My Own Wife and Of Mice and Men at Seattle Rep; As You Like It, A Midsummer Night’s Dream, Macbeth, and Hamlet for Seattle Shakespeare Company; and The Art of Racing in the Rain for Book-It. His recent performance credits include A Doctor in Spite of Himself (Intiman, Yale Rep and Berkeley Rep), Go, Dog. Go! (Seattle Children’s Theatre), and West (On the Boards). Rob also performs with many bands, including “Awesome,” the Love Markets and the Toucans.

Kristina Sutherland is the Director of Education at ACT and the co-founder and Artistic Director of Macha Monkey Productions. She is the author of several plays, most recently the critically acclaimed THEBES. She has also co-created four plays with Desiree Prewitt: Nancy, Frank, and Joe (nominated for the American Theatre Critics Association Award 2009 and a Gregory Award for playwriting in 2010), The Cowgirl Play, R (The Swashbuckling Tale of Anne Bonny and Mary Read) and Live Girls Do Elektra. Her recent directing credits include When I Come to My Senses, I’m Alive! by Scotto Moore at Annex Theatre, Franklin and Figaro by Kristina Sutherland at Whidbey Island Center for the Arts, Kid Simple, a radio play in the flesh by Jordan Harrison at Macha Monkey Productions, Melancholy Play by Sarah Ruhl (2004 Footlight Award Winner) at Macha Monkey Productions, and Dukthul by Kristina Sutherland and Red Eagle Soaring.

Reviews of ‘A Mouse Who Knows Me’:

“One of the wittiest, funniest and most topical musicals I have ever seen…this world premiere is not going to die in Seattle, but I suspect will soon be on Broadway and the West End. Hurry and get your tickets now, before it gets sold out.” – Drama In The Hood

Reviews of ‘Duel Of The Linguist Mages’:

“Moore’s success here, as both writer and director, is finding the humor in confrontational moments… [It's] good entertainment, filled with thought-provoking notions and moments of sincere laughter.” – Seattle Weekly

“Moore’s writing is high-caliber, his dialogue and plot devices are smart, his concepts are clearly inventive. He’s one to watch, so this is recommended.” – Seattle Gay News

“‘Duel of the Linguist Mages’ is a nicely crafted PLAY with a clever theatrical format, witty dialogue, a topical premise and it’s smartly directed, designed and acted… the entire premise of the piece is original and highly charming and smart.” – Seattle Gay Scene

Reviews of ‘When I Come to My Senses, Iʼm Alive!’:

“One wants to see more plays like this in Seattle—smart science fiction about the amazing world we have found ourselves heading toward.” — The Stranger

“Fun, fascinating, thoughtful and delightful” — Seattle Gay News

Reviews of ‘interlace [falling star]‘:

“[Writer/director] Moore conjures a fairly logical extension of our wired world with geeky authority and comic flair.” — Seattle Times

“Beautiful imagining… Next to the shine of speculative nodes are jokes that snap, crackle, and pop… The presentation of this fantastic fusion, which also includes theological thought experiments and the narrative structure of a thriller, is strong all around… The pleasures of ‘interlace [falling star]‘ are more than plenty.” — The Stranger

PRESS PHOTOS

CAST
Sara Mountjoy-Pepka Dr. Audrey Whitman
Allison Standley Dr. Audrey Whitman (understudy, Oct 25-27)/Ensemble
K. Brian Neel Dr. Roland Grant/Romeo
Josh Hartvigson Dr. Robert Cramer
Pamala Mijatov Dr. Lorelei Meadow
Tadd Morgan D29-1/Ensemble
Leilani Berinobis Dr. Helena Warwick/D28-2
John McKenna Theodore Werner/D29-2
Amanda Lee Williams D29-3/Ensemble
Lissa Bak D29-4/Ensemble
MUSICIANS
Greg Fulton Guitar
Chris Monroe Drums
Dave Pascal Bass
Robertson Witmer Piano, accordion, woodwinds & percussion
CREW
Book & Lyrics Scotto Moore
Music Robertson Witmer
Director Kristina Sutherland
Assistant Director Catherine Blake Smith
Choreographer Allegra Searle-LeBel
Vocal Arranger Brian Kinyon
Concept & Genetics Consultant Jenny Rooke Ph.D.
Mouse Consultant Molly Nixon Ph.D.
Production Manager Meaghan Darling
Stage Manager Katie McKellar
Assistant Stage Manager Raymond Williams
Scenic & Props Designer Robin Macartney
Costume Designer Samantha Armitage
Lighting Designer Tess Malone
Sound Designer Robertson Witmer
Puppet Designer Paul Velasquez
Vocal Coach Allison Standley
Recording Engineer Pete Remine

Kittens In A Cage

Written by Kelleen Conway Blanchard
Directed by Bret Fetzer

Thu-Sat at 8 pm, July 27th-August 25th (Thu PWYC)
$15 general / $10 TPS, senior, military / $5 student

Kittens in a Cage tells Junie’s story, a good girl gone bad, sent to the pen by a buncha rats. From the knife fights in the showers to riots in the prison mess hall, Junie has to toughen up fast. Lucky for Junie, she’s got Vickie. A tough love story about bad broads that can’t get no breaks.

Junie, a juvenile delinquent with a heart of gold, gets thrown into a prison cell with hardened arsonist Vickie.  But as they team up against the predations of prison queen bee Jeanine and her cannibalistic sidekick Barbara, not to mention the deranged scientific schemes of the Prison Matron, Junie finds her heart swelling up over Vickie.  Does Vickie feel the same?  Will Jeanine take vengeance in the shower?  What’s up with those rumors of strange furry babies in the Matron’s secret laboratory?

Kittens in a Cage features an all female cast of Annex favorites, original songs by Rick Miller performed on the ukulele by Francesca Mondelli, and Kelleen Conway Blanchard’s unique voice. Kittens in a Cage is a love story, a story of breaks both good and bad, a story of survival, and an agonizingly funny portrayal of women behind bars.

Kittens in a Cage is directed by Bret Fetzer. Blanchard and Fetzer previously teamed up on Small Town (produced by Annex Theatre in 2007) and Hearts are Monsters (produced by Macha Monkey Productions in 2010).

“‘Kittens in a Cage’ is a f***ing riot. ‘Kittens’ takes on women’s-prison B movies and pulp novels with biting wit—no worries about offending anyone—and a gorgeous splatter of comically short prison uniforms (top buttons undone), smeared red lipstick, bright blue eye shadow, bouffant hairdos, and crazy accents…. This wicked, uproarious show features an all-female cast—not impossibly rare, but not common enough. Bosoms heave, brains leak out of heads, and women make out. Blanchard seems fully aware and in control while she wades into the muck of exploitation entertainment, with a wink and a nod (and a shiv) to its complicated history of empowerment.” –The Stranger

“In a nutshell: Kittens in a Cage is a funny, witty, naughty romp through chicks in prison films, with a spicy dash of horror and all overlaid with a delicious lesbionic sauce of camp and heaving bosoms.” –Seattle Gay Scene

“So what’s not to love about a play starring 7 local powerhouse actresses and written by an equally strong local, female playwright?! Given the dearth of substantive roles for women in theatre and film, it is great to see a show like ‘Kittens in a Cage’ infused with so much estrogen and feminine prowess…. The entire cast does a great job, and it is obvious that they are having a lot of fun in their respective roles; and when I saw the show on opening night, it was obvious that the audience had just as much fun watching them.” — Drama in the Hood

CAST
Francesca Mondelli Junie
Katie Driscoll Nancy
Lisa Viertel Prison Matron
Laurel Ryan Vickie
Tracy Leigh Jeanine
Erin Pike Barbara
Erin Stewart Junie’s Ma, Lois, Peggy
CREW
Writer Kelleen Conway Blanchard
Director Bret Fetzer
Songwriter Rick Miller
Stage Manager Daniel Christensen
Set Designer Bret Fetzer & Ian Johnston
Scenic Artist Susannah Anderson
Sound Designer Kyle Thompson
Prop Designer Megan Tuschhoff
Costume Designer Meaghan Darling
Hair & Makeup Designer Jana Hutchison
Mugshot Photographer Ian Johnston
Poster Designer Ellen Forney
PRESS

Kelleen Conway Blanchard was the subject of a recent SLOG post.

Reviews of past Bret Fetzer / Kelleen Conway Blanchard collaborations:

Hearts are Monsters
Hearts Are Monsters, a loose riff on Hamlet, fills the small stage at
Rendezvous with the gallows humor and elegant garishness of a 1970s
exploitation film…Monsters has a style that hovers somewhere between
John Waters, Daniel Waters (Heathers), and Jack Hill (Switchblade
Sisters, Foxy Brown), but Kelleen Conway Blanchard’s world-premiere
script bristles with dense, dirty intelligence, and the jokes come
thick and fast…The cast, directed by Bret Fetzer, never plays the
script for camp, but delivers the craziest lines with a dead-ahead
seriousness that makes the comedy that much sharper.” – The Stranger

Small Town
“[Small Town] is snappy and quick-paced; Fetzer, who has an obvious
knack for comedy, keeps things flowing nicely, and he seems to work
well with actors, drawing from each a solid performance. The staging
is exceptional, especially considering the tight space of CHAC’s
downstairs venue; for instance, by virtue of a ratty couch that flips
back on hinges, Stu Lionel’s underground abattoir is revealed. It’s a
nice touch, as is the split-second conversion of that same couch into
a mammoth dining table. Also noteworthy are the wonderful musical
interludes that punctuate the action: Bud’s uproariously heartfelt
crooning of the Scorpions’ “No One Like You,” or the final number, an
astonishing bluegrass version of Outkast’s hit “Hey Now,” with the
whole cast chanting the chorus in a flat-footed monotone. These
moments stand out not only for their expert execution but also for
their refreshing sense of levity—of good-hearted fun and comic warmth,
for lack of better terms.” –The Seattle Weekly

Team of Heroes: Behind Closed Doors

Written by Alexander Harris
Directed by Jaime Roberts

Thu-Sat at 8 pm, April 20-May 19 (Thu PWYC)
$15 general / $10 TPS, senior, military / $5 student
PWYC Industry Night: Monday, May 14

Contains strong language.

The gleaming teeth and bulging muscles of America’s preeminent superheroes hide a dirty past and a fractured present.
HOW DID MADAME MAYHEM AND THE CAP’N GET THEIR POWERS?
IS MISS DIXIE AS SWEET AS SHE SEEMS?
WILL SHOCKWAVE’S MOVIE CAREER TAKE OFF?
AND HOW DO GORILLAS FIT INTO ALL THIS?
The same creative team that brought you Annex Theatre’s surprise hit Alecto: Issue #1, returns with another spandex-clad tale of media manipulation and super-heroics.
NEW PLOTS! NEW VILLAINS! NEW HEROES!

“Big, stupid fun done smartly and with tremendous intimacy… Anyone who loves theatre should see this show. Anyone who makes theatre should go learn something from it.” –The Sunbreak

“Cheeky and dark…delightfully self-conscious comedy.” –Seattle Times

“It’s definitely a night to enjoy, and you can puzzle out the deeper meanings later.” –Seattle Gay News

“The real treat of the evening was the main villain, ‘Chaos Theory’, superbly played with great comic timing by Rachel Jackson who also…enacts Chaos Theory’s Scottish Puppet Henchman/Lover ‘Randy’. Ms Jackson’s love scene between her own felt covered hand, and herself, was pretty damn brilliant.” –Seattle Gay Scene

CAST
Tracy Leigh Madame Mayhem
Jason Sharp The Cap’n
Nik Doner Shock Wave
Rachel Jackson Chaos Theory
Ashley Bagwell Ace Johnson
Jana Hutchison Black Swallow
Danielle Daggerty Miss Dixie
Angela DiMarco Melody Knox
Sam Hagen Vladimir/8
Ryan Higgins Mikhael/Dick Engelbert
CREW
Writer Alexander Harris
Director Jaime Roberts
Production Manager Kristina Volkman
Stage Manager Lisa Stahler
Scenic Designer Devin Petersen
Sound Designer Michael White Hayes
Graphic Designer/Geek Consultant Cole Hornaday
Fx Team Max Reichlin, Emily Sershon, Ian Johnston
Fly Master Mike Gilson
Projection Artist Dominick DiGregorio
Costume Designer Candace Frank
Assistant Costume Designer Jenn Hill
Lead Seamstress Meaghan Darling
Lighting Designer Regan MacStravic
Props Designer Amy LaZerte
Assistant Props Designer Jodi Sauerbier
Fight Choreographer Casey Brown
Assistant Director Katherine Karaus
Dialect Coach Pamala Mijatov
Videographer Ben Laurance

Gallery of Press Photos

Penguins 5: Mea Maxima Culpa, Baby


Written by Scot Augustson
Directed by Bret Fetzer

Fri-Sat at 11 pm, Aug 6-26
$10 gen / $5 TPS/senior/student
PWYC Industry Nights: Mondays, August 15 & 22

End times are near in the final episode of Scot Augustsonʼs black-and-white comedy Penguins! The conflict of priests vs. nuns comes to a head, along with exorcisms, conspiracies, lesbian love, historical secrets revealed, and more of the caustic comedy thatʼs brought this late night serial acclaim and dismay! Directed by Bret Fetzer.

CAST
Daniel Christensen Father Luke
Chris Dietz Father Jones & Hitchhiker
Katie Driscoll Adam
Maggie Ferguson-Wagstaffe Connie Sullivan
Sophie Lowenstein Sister Jenny Memphis
Jenny Schmidt Sister Mimi Coco
Jillian Vashro Sister Candy
Lisa Viertel Sister Bernadette
Clayton Weller Brother Placido
CREW
Director Bret Fetzer
Technical Director/Photography/Graphic Design Ian Johnston
Stage Manager Caitlin Gilman
Lighting Design Tess Malone
Costume Design Avery Reed & Meaghan Darling
Sound Design Kyle Thompson
ABOUT PERFORMANCE TIMES, PUBLIC TICKETS AND PRESS TICKETS

PENGUINS 5: Mea Maxima Culpa, Baby

August 6th through August 26th

Annex Theatre

1100 Pike Street East / 2nd Floor

The Performance Dates include:

August 6th, 12th, 13th, 19th, 20th, 26th  at 11pm

August 15th and 22nd at 8pm for our Industry Pay-What-You-Will Nights
$10 General Admission: Advance / Door

$5 General Admission: Student/Senior/Military/TPS

PRESS TICKETS / PRESS PACKETS

If you are an editor or writer of any medium that would like to review this show, please contact our Marketing & Communications Director, Brian Peterson, at brian.peterson@annextheatre.org.

You will receive two complimentary press tickets for opening night, a press packet and a link to our online press photo gallery – which includes all press photos taken, our video trailer for the show.

Press Photos Photo 1
Photo 2
What The Press Has Said In The Past…

penguins

“Augustson’s late-night serial comedy Penguins is a breath of fresh, filthy air…its balls-out devotion to depravity is executed by a talented, canny cast.”

- The Stranger

“Brawny, brogue-brandishing badass Sister Bernadette (Lisa Viertel) demands some basic rights for nuns, which triggers a priest/nun gang war that makes last year’s pitiless Cannes winner Gomorrah look like an afterschool special…We’re talking Doubt on Ecstasy, smack, and aerosol cheese…The hour-long show felt like half that, and I wished Penguins: Episode 2 would have begun immediately after.”

- Seattle Weekly

“Ultra-lowbrow, extreme Catholic camp…[director] Fetzer keeps his cast moving full-tilt…You wouldn’t think there’d be any thrill (perverse or otherwise) left in priest-and-nun exploitation, but [playwright] Augustson mines the veins of altar-boy molestation and convent lesbianism with such fervor, he might win you over.”

- SunBreak

“I thought it was absolutely fucking great…If all late-night theater were like this, it would devour prime-time theater, which would be fantastic.”

- Monologist Mike Daisey

The Tale of Jemima Canard

Written by Brandon J. Simmons
Directed by Carys Kresny

Fri-Sat at 8 pm, April 22-May 21
$15 general / $10 TPS, senior, military / $5 student
PWYC Industry Night: Monday, May 9

There’s something odd about Kilkin Farm. The ducks parade about in skirts and bonnets and carry on forbidden love affairs with the hounds. Badgers and foxes negotiate their bloody deals behind the henhouse, bartering for flesh by day, and stealing it by night. And Miss Potter, the farm’s indomitable mistress, is driven nearly to madness.

Only Potter can unlock the mysteries of this world. As she examines the hidden corners of her own past, layers of passion and regret weave themselves into a tale that blurs the lines between love and violence, food and sex, and ultimately, the artist and the art she creates.

Love! Whimsy! Terror!

The underbelly of Beatrix Potter comes to life in The Tale of Jemima Canard. A young innocent, capricious but willful, falls under the romantic sway of a predatory cad—but the characters are not Edwardian ladies and gentlemen; they are ducks, hounds, badgers, and foxes. As the author is interrogated by one of her own characters, layers of love, envy, jealousy, and much worse become revealed as the play delves into the deceptively whimsical lives of Jemima, her hard-as-nails sister Rebecca, the rugged but earnest St. Hubert brothers, the degenerate Tommy Brock, Miss Potter herself, and the elegant and alarming Tawny Whiskered Gentleman. Seattle actor Brandon J. Simmons makes his playwriting debut with this anthropomorphic dream-play, using Potterʼs The Tale of Jemima Puddle-Duck as a springboard to explore the nature of fate and time, blurring the lines between animal/human, love/violence, food/sex, and the artist and the art she creates. Directed by Carys Kresny, who previously dug her directorial fingers into dark and roiling emotions in The Changeling and Penetralia at Annex.

CAST
Mary Murfin Bayley Potter
Truman Buffett TWG
Danielle Daggerty Rebecca
James James Leroy/Brock
Martyn G. Krouse Roland
Jillian Vashro Jemima
CREW
Production Director Meaghan Darling
Stage Manager Katie Driscoll
Set Design Emily Reitman
Light Design Tess Malone
Costume Design Hannah Schnabel
Mask Maker/Props Design Cole Hornaday
Sound Design Erin Paige
Fight Choreographer Ryan Spickard
Dialect Coach Pamala Mijatov
Dramaturg Bret Fetzer
Technical Director Ian Johnston

Penguins 2: Roll Away the Rock

written by Scot Augustson, directed by Bret Fetzer
LATE NIGHT: Jan 29 – Feb 12, 2010, Fri-Sat at 11 pm
(no show Friday, Feb 6)
$10 gen / $5 stu

A gang war twixt nuns and priests!

Episode 2 of Annex’s smash-hit Penguins, about a gang war between nuns and priests in the Catholic church that rocks the dioceses!

CAST
Father Luke/The Organist/Snake Eyes Daniel Christensen
Father Jones Chris Dietz
Sister Daphne George/Mother Gershwin/Connie Sullivan Teri Lazzara
Sister Jenny Memphis/June/Sister Peaches Sophie Lowenstein
Adam, the Organist’s son David Roby
Sister Mimi Coco/Marilyn/Sister Iddy Biddy Jenny Schmidt
Sister Candy/Young Susan/Widow Kilorin Jillian Vashro
Sister Bernadette/Gertrungkt Lisa Viertel
Brother Placido/Spencer/Monsignor Kittan Clayton Weller
CREW
Stage Manager Maggie Ferguson-Wagstaffe
Technical Director & Photographer Ian Johnston
Production Manager Ellie McKay
Postcard Design Emily Harvey
Design Team Susannah Anderson
Meaghan Darling
John DeShazo
Julia Evanovich
Maggie Ferguson-Wagstaffe
Ed Hawkins
Ian Johnston
SPECIAL THANKS

Lynn Jepson, Jen Moon, Deb Skorstad and the UW Costume Shop, Seattle Children’s Theatre, and Theater Schmeater.

Alecto Issue #1

Check out the Team of Heroes at http://facebook.com/teamofheroes

written by Alexander Harris
directed by Jaime Roberts

Jan 22 – Feb 10, 2010
Friday and Saturday 8pm
$15 gen / $5 stu

A troubled heroine with an incredible power discovers that the popular superhero team she’s joined has questionable notions of good and evil. Alecto, Issue #1 translates the world of comic books to the stage, mixing social satire, physical spectacle, sly comedy, and an imaginary pig.

CAST
Jessica/Alecto Maridee Slater
Diana/Greta Carrie McIntyre
The Cap’n Jason Sharp
Madame Mayhem Tracy Leigh
Shock Wave Nik Doner
Piggy Pigg Chris Bell
Melody Megan Ahiers
Nathan/Nigel Banton Foster
Baz William Hardyman
Chaos Theory Rachel Jackson

Tracy Leigh, Maridee Slater, Nik Doner, Jason Sharp

CREW
Stage Manager Noelle Wilcox
Assistant Stage Manager/Fly Master Mike Gilson
Set Design Ann Marie Caldwell
Light Design Allysa Thompson
Costume Design Afton Pilkington
Props Design Emily Sershon
Sound Design Michael Hayes
Sound Board Operator Regan MacStravic
Technical Director/Fly Engineer Ian Johnston
Production Manager Kristina Volkman
Graphic Designer/Geek Consultant Cole Hornaday
Fight Choreographer John Lynch
Dialect Coach Pamala Mijatov
Seamstress Meaghan Darling
SPECIAL THANKS

Seattle Children’s Theatre, Seattle Repertory Theatre, Teri Lazzara and Theatre Schmeatre, Jodi Sauerbier, David Baum, Meghan Darling, Mark Siano and the Freedom Dancers, Ouchey, Balagan Theatre, All the actors who participated in the many readings, Austin Elston, Emily Gallagher, Sue and Dick Harris, Jennie Harris, Angela Cherry, Washington Lawyers for the Arts, Arya Bahrami, James L. Vana, Ed Sershon, Bret Fetzer, Scotto Moore, Ben Laurance, Nicolette Butler, Joel and Cora Caldwell, Craig Bradshaw, Michael LoSasso and Stone Soup Theatre Village Theater, Rick Miller, Jane Stratton and Tom Champoux, Marilyn Fox, Jolene Obertin, Marty Spiegel, Jesse Card

The Believers

written & directed by Jim Bovino
Oct. 23 – Nov. 21, 2009 | Fri-Sat 8pm

The Believers is set in an unidentified city where life has become transformed into a series of fragmented and privatized events where the cameras are always rolling, the lights are always on, and the hero could be you.

The play examines the manufacturing of reality and questions the ability of individuals to distinguish between autonomous and enforced behavior and the possibility for original thought in a mediated world.

The play does not have a traditional plot or narrative, but is structured as a series of vignettes loosely connected by theme.

CAST
Sarah E Budge
Joe Feeney
Maggie Ferguson-Wagstaffe
Caleb Joslin
Erin Pike
Nick Poling
Jennifer Pratt

CREW
Stage Manager Meaghan Darling
Set Design Zack Bent
Light Design Melinda Short
Costume Design Julia Evanovich
Props Design Julia Welch
Sound Engineering Kevin Heard
Original Music Take Acre
Technical Director Max Reichlin
Production Manager Ellie McKay
Build Team Jillian Vashro
David Roby
Ron Darling
SPECIAL THANKS

Seattle Children’s Theatre, John Deshazo, Michael Hayes, Jillia Pessenda, Theatre Schmeater, Clint Fisher, Gala