Second Date

Co-produced by Rain City Projects
January 29 – February 13
Tuesdays & Wednesdays, 8pm
$10 general / $5 student, TPS, senior, military

Two people meet. Two people connect. Ordinarily, this might be a night out on the town, perhaps going bowling—but if those two people are a playwright and a director, it’s a very different game. These directors and playwrights have never worked together before, but we’re going to see what their chemistry will create. Co-produced by Rain City Projects, each night of SECOND DATE will feature these three one-act plays, which are being created as you read this:

BLACK LIKE US
written by Rachel Atkins
directed by Tyrone Brown
Featuring: Caitlin Gilman, Laurel Ryan, Qadriyyah Shabazz, Sarah Winsor, and Amber Wolfe

SKETCH
written by Tracy Vicory-Rosenquest
directed by Katherine Karaus
Featuring: Asa Bass, Laurence Hughes, Jana Hutchison and Joan Jankowski

THE SIBYL AT COMMOTION STREET
written by Jaime Cruz
directed by L. Nicol Cabe
Featuring: Andy Buffelen, Justine Freese, and Keiko Green

PRODUCTION TEAM
Bret Fetzer Producer
Catherine Blake Smith Production Manager
Michelle Berweiler Stage Manager
Danny Fisher-Bruns Lighting Designer
Samantha Armitage Costume Designer

Kittens In A Cage

Written by Kelleen Conway Blanchard
Directed by Bret Fetzer

Thu-Sat at 8 pm, July 27th-August 25th (Thu PWYC)
$15 general / $10 TPS, senior, military / $5 student

Kittens in a Cage tells Junie’s story, a good girl gone bad, sent to the pen by a buncha rats. From the knife fights in the showers to riots in the prison mess hall, Junie has to toughen up fast. Lucky for Junie, she’s got Vickie. A tough love story about bad broads that can’t get no breaks.

Junie, a juvenile delinquent with a heart of gold, gets thrown into a prison cell with hardened arsonist Vickie.  But as they team up against the predations of prison queen bee Jeanine and her cannibalistic sidekick Barbara, not to mention the deranged scientific schemes of the Prison Matron, Junie finds her heart swelling up over Vickie.  Does Vickie feel the same?  Will Jeanine take vengeance in the shower?  What’s up with those rumors of strange furry babies in the Matron’s secret laboratory?

Kittens in a Cage features an all female cast of Annex favorites, original songs by Rick Miller performed on the ukulele by Francesca Mondelli, and Kelleen Conway Blanchard’s unique voice. Kittens in a Cage is a love story, a story of breaks both good and bad, a story of survival, and an agonizingly funny portrayal of women behind bars.

Kittens in a Cage is directed by Bret Fetzer. Blanchard and Fetzer previously teamed up on Small Town (produced by Annex Theatre in 2007) and Hearts are Monsters (produced by Macha Monkey Productions in 2010).

“‘Kittens in a Cage’ is a f***ing riot. ‘Kittens’ takes on women’s-prison B movies and pulp novels with biting wit—no worries about offending anyone—and a gorgeous splatter of comically short prison uniforms (top buttons undone), smeared red lipstick, bright blue eye shadow, bouffant hairdos, and crazy accents…. This wicked, uproarious show features an all-female cast—not impossibly rare, but not common enough. Bosoms heave, brains leak out of heads, and women make out. Blanchard seems fully aware and in control while she wades into the muck of exploitation entertainment, with a wink and a nod (and a shiv) to its complicated history of empowerment.” –The Stranger

“In a nutshell: Kittens in a Cage is a funny, witty, naughty romp through chicks in prison films, with a spicy dash of horror and all overlaid with a delicious lesbionic sauce of camp and heaving bosoms.” –Seattle Gay Scene

“So what’s not to love about a play starring 7 local powerhouse actresses and written by an equally strong local, female playwright?! Given the dearth of substantive roles for women in theatre and film, it is great to see a show like ‘Kittens in a Cage’ infused with so much estrogen and feminine prowess…. The entire cast does a great job, and it is obvious that they are having a lot of fun in their respective roles; and when I saw the show on opening night, it was obvious that the audience had just as much fun watching them.” — Drama in the Hood

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CAST
Francesca Mondelli Junie
Katie Driscoll Nancy
Lisa Viertel Prison Matron
Laurel Ryan Vickie
Tracy Leigh Jeanine
Erin Pike Barbara
Erin Stewart Junie’s Ma, Lois, Peggy
CREW
Writer Kelleen Conway Blanchard
Director Bret Fetzer
Songwriter Rick Miller
Stage Manager Daniel Christensen
Set Designer Bret Fetzer & Ian Johnston
Scenic Artist Susannah Anderson
Sound Designer Kyle Thompson
Prop Designer Megan Tuschhoff
Costume Designer Meaghan Darling
Hair & Makeup Designer Jana Hutchison
Mugshot Photographer Ian Johnston
Poster Designer Ellen Forney
PRESS

Kelleen Conway Blanchard was the subject of a recent SLOG post.

Reviews of past Bret Fetzer / Kelleen Conway Blanchard collaborations:

Hearts are Monsters
Hearts Are Monsters, a loose riff on Hamlet, fills the small stage at
Rendezvous with the gallows humor and elegant garishness of a 1970s
exploitation film…Monsters has a style that hovers somewhere between
John Waters, Daniel Waters (Heathers), and Jack Hill (Switchblade
Sisters, Foxy Brown), but Kelleen Conway Blanchard’s world-premiere
script bristles with dense, dirty intelligence, and the jokes come
thick and fast…The cast, directed by Bret Fetzer, never plays the
script for camp, but delivers the craziest lines with a dead-ahead
seriousness that makes the comedy that much sharper.” – The Stranger

Small Town
“[Small Town] is snappy and quick-paced; Fetzer, who has an obvious
knack for comedy, keeps things flowing nicely, and he seems to work
well with actors, drawing from each a solid performance. The staging
is exceptional, especially considering the tight space of CHAC’s
downstairs venue; for instance, by virtue of a ratty couch that flips
back on hinges, Stu Lionel’s underground abattoir is revealed. It’s a
nice touch, as is the split-second conversion of that same couch into
a mammoth dining table. Also noteworthy are the wonderful musical
interludes that punctuate the action: Bud’s uproariously heartfelt
crooning of the Scorpions’ “No One Like You,” or the final number, an
astonishing bluegrass version of Outkast’s hit “Hey Now,” with the
whole cast chanting the chorus in a flat-footed monotone. These
moments stand out not only for their expert execution but also for
their refreshing sense of levity—of good-hearted fun and comic warmth,
for lack of better terms.” –The Seattle Weekly

Cocktails at the Centre of the Earth

Written & directed by Simon Astor
Music direction by Meg van Huygen

Thu-Sat at 8 pm, Jan 26-Feb 25 (Thu PWYC)
$15 general / $10 TPS, senior, military / $5 student
PWYC Industry Night: Monday, Feb 6

In a world run on refined, harvested mummies, where blimps are accessed via pneumatic tube, surgically enhanced foxes lecture on inter-species marriage, and self-winding is the latest advancement in mechanical men, there lived a great many people, who desired a great many things.

Set among the steamcabs and airships of this alternate world is a comedy of manners, in which street urchins try to land rich lovers, bandaged terrorists attempt to overthrow the government, and socialites train seahorses to bring them martinis.

Join an unlikely group of drinking buddies as they share secrets, sonnets, and sloe gin, in watering holes that range from the sea to the sky to the center of the earth.

With musical numbers, arch dialogue, and a dash of anarchy, Cocktails at the Centre of the Earth is a steampunk extravaganza of words, wit and wonder!

CAST
Asa Bass Conrad
Carter Lee Churchfield Reynard Diggswell
Trevor Cushman Lansing
Kai Curtis Servant
Monica Finney Helena
Josh Hartvigson Rakehell
Todd Hull Daniel Engine
Katherine Karaus Patricia
Andrea Lauritsen Flame Girl #1
Jonah Martin Baxter / Maxwell / Dexter / Wuxtry / Windsor
John McKenna Col. Moutarde
Jen Nelson Gloriana/Constellation Girl
Erin O’Malley Paravion
Jennifer Pratt Gepetta Odenkirk
Laurel Ryan Roulette
Sailor St. Claire Burlesque/Flame Girl #2
James Weidman Bunny
Monica Wulzen Dovecote
CREW
Writer/Director Simon Astor
Musical Director Meg van Huygen
Bassoon Jono Green
Guitar Tyson Lynn
Costume Design Heather Bernadette
Set Design Todd Van Der Ark
Lighting Design Tess Malone
Stage Manager Murphy Stevens
Production Manager Grant Knutson

Press Photos are available here